#Entwined with you movie skin

I smiled and opened my eyes, spotting him arrowing toward me. Abruptly the music was louder, the temperature hotter, the sensuality of the club more arousing. The electrical charge swept over my skin, heightening every sensation. We were three songs out before I felt the ripple of awareness that told me Gideon was nearby. He laughed and dipped his knees, aligning his body with mine. When his hands started to slide over my waist, I caught them, pinning them to my hips with my own. I smiled and started dancing, closing my eyes to lose myself in the music. Looking over my shoulder, I saw the guy I’d danced with before, the one who’d called me beautiful. I was almost to the mirrored section when I was caught around the waist and pulled back into a man’s rolling hips.

#Entwined with you movie skin

Sweat glistened on exposed skin and the elevation lent a sense of danger, even though the glass railing surrounding the skywalk was shoulder-high. The music was less loud up here and the air more humid. As it stands, Entwined is a dark and soulful interpretation of folklore, and an excellent calling card for a first-time director who has shown a great deal of promise.I weaved my way through writhing bodies, my pulse rate increasing with every step. But these are minor qualms, and take nothing away from the film, which is lovely. There’s an argument to be made that Entwined could have added depth by developing more of a relationship with the village itself, but it’s also possible that doing so would have taken away from the isolation of the lone cabin in the woods, or created a bloated feeling by adding to the run time unnecessarily. Entwined makes an attempt to establish a brotherly dynamic between Panos and his relative George (John De Holland, who also wrote the script), but it’s underdeveloped and seems as though it only exists for the convenience of the plot. It pulls it off, but only just, being careful not to overstay its welcome at a very slim 89 minutes. This is a very simplistic and self-contained narrative, and perhaps the one lingering question is whether it’s too slight, or indeed if it has enough substance in it to justify a feature-length film. The relationship between Panos and Danae is complicated and constantly evolving, both actors finding a richness to their admittedly disturbing dynamic that prevents it from feeling one-note and creates what is a deeply sad love story that was doomed from the start.

He creates a would-be fairy tale that turns into a nightmare, but instead of veering into horror the narrative has a bittersweet, melancholic feel to it. Gorgeous location shooting builds out the seemingly enchanted world of Entwined, and Nikolakakis’s visual style is dreamy and atmospheric yet unpretentious. This helps him avoid biting off more than he can chew narratively speaking, a trap that many first-time filmmakers find themselves falling into. The subject matter is compelling but not overly ambitious and leans into familiar mythological territory. But in some ways, she’s just as trapped, locked in a frenzied cycle of gathering wood and building up the fire in her cabin’s hearth, which she warns him must stay lit at all times.Įntwined is director Minos Nikolakakis’s feature debut, and he proves his competence by taking a simple story and telling it well. She has seemingly bewitched him, and he is both repelled by and drawn to her.

The longer he’s by her side, the more difficult it becomes to tear himself away. Although his original intention is to rescue her, he finds himself strangely compelled to stay. She speaks in a cadence centuries old, has a mysterious disease that gives patches of her skin the ragged appearance of tree bark, and seems to have a bizarre effect on the people she meets. When Panos happens upon a mysterious young woman seemingly in distress and chases her into the forest, it feels as though he’s walked directly into a Greek myth.ĭanae (Anastasia Rafaella Konidi) lives with her old, incoherent father deep in the woods, in a cabin that feels like a place out of time. There might be likelier places for mystical phenomenon to occur, but there can’t be many. It’s the sort of place where the old ways have hung on, and superstitions linger.

In Entwined, Panos (Prometheus Aleifer) is a young doctor who has taken up the post of town physician in a sleepy, remote Greek village. But when you’re a stranger trespassing on the solitude of an unknown wood, you could swear the trees themselves try to make you lose your bearings. When you’ve grown up in a certain area and have memorized the face of each tree and every bend in the river, it feels like home. What wild and unnatural spirits exist in the depths of the forest, possessing an ancient and eternal power far beyond our reckoning? There’s an otherworldly quality to the woods, especially when they’re unfamiliar to you.